I love to visit our local Steiner-inspired kindergarten. Each month, we get together to learn and grow.
Today was sharing day. There were stories of doll making, of the vivaciousness and verve of one teacher who so inspired her group with her presence as much as her content (Go, Sandra!!), of open discussions about crayons, colours and drawing opportunities for children, how to make a sandstone mix for carving, and a few insights too.
I shared some of my experiences of the Modelling course I participated in, led by Michael Howard. I demonstrated one of his rice drawing techniques to the girls, and then it was their turn. It was compelling, both to view and to do. Pushing and pulling rice to make simple form shapes was almost meditative for some. Who knew????
Rice drawing is not something I have ever done before. It is quite random. I haven't 'played' with a food for years to be honest, with the exception of providing macadamia, hazlenuts and avocado seeds for the children in class to use in their 'homes' and 'shops'.
It's not that I am against using food, but I like to raise the concept of food to its worthy heights- as something to nurture, salve and feed us; as a builder of community and as the centre of seasonal gatherings and special occasions.
In many places, food is used without consciousness. Food is a throw-away resource; a cheap and cheerful art material.
Pasta necklaces, pasta painting, artifically coloured playdough, vegetable printing- I'd rather make a necklace out of lovely beads, paint with plant-based pigments that come alive on paper, bake a batch of biscuits or make lino stamps. Things that last.
I always try to find real things to do, things I would do with or without the children present. I also want to make things that are beautiful, truthful and good.
But rice drawing has captured my imagination. The task of managing the rice is so symbolic of our journey as parents. There is lots of give and take, boundary pushing on the part of the children and our job as 'backstop' to hold family boundaries firm.
I love that rice drawing is impermanent, and has a fluid quality to it that allows everyone, young and old, to join in without fear of making mistakes. I think a well-planned rice drawing task could help a lot of children scramble over a big hurdle to reclaim their inner creativity. I think it could help adults too.
I love working with adults in this context. I feel so lucky for the privilege of working out of a creative realm.
I am off to Bribie Island next week to give a talk on Steiner Early childhood education as there are some parents there who are keen to learn more. I love this work. I love the sensible ideas. I thrive on helping people (especially parents who are the guardians of the next generation) to open their own thinking and seeing and not just take my word (or anyone's words) for it. I like to be open minded. I love questions. I learn as much as they do, from the different views people bring to the conversation. I love this.
There is never one way, one path, one idea. I like this too.